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CALENDAR 23/24

Opera Philadelphia

Assistant Conductor

Orth: 10 Days in A Madhouse

Cond. D Candillari | Dir. J Settle

Opera Philadelphia

Assistant Conductor

Verdi: Simon Boccanegra

Cond. C Rovaris | Dir. L Dale

The Metropolitan Opera

Assistant Conductor

Davis: X: The life and Times of Malcolm X

Cond. K Abdullah| Dir. R O' Hara

LA Opera

Cover Conductor

Grant Still: Highway 1

Cond. R Balsadonna | Dir. K Shaal

 

San Francisco Performances

Recital "Rising" with Larry Brownlee

La Jolla Music Society

Recital "Rising" with Larry Brownlee

Tuesday Musical, San Antonio

Recital "Rising" with Larry Brownlee

Huntsville Chamber Music Guild

Recital "Rising" with Larry Brownlee

Ford Center, Oxford, MS

Recital "Rising" with Larry Brownlee

Arizona Opera/Tucson Desert Song Fest

Recital "Rising" with Larry Brownlee

Saint Cecilia Concert Society

Recital "Rising" with Larry Brownlee

Lied Center

Recital "Rising" with Larry Brownlee

Chapman University

Recital "Rising" with Larry Brownlee

Austin Opera

Assistant Conductor

Bizet: Carmen

Cond. T Myers | Dir. R Herman

Concertgebouw

Recital "Rising" with Larry Brownlee

REVIEWS

 

 

“Chamber Music” — drew nuanced

and emotionally communicative performances from Holiday, as well as chiseled, perceptive work at the piano from Kevin J. Miller.

Washington Post

Miller’s playing was kinetic, especially in Owens’s vivid writing — efficiently obstinate in “Desire,” with a lovely pitter-patter of raindrops in “In time of silver rain.” He seemed to relish putting a little dirt into the opening of Evans’s “Southern Mansion.”

New York Times

"Throughout, pianist Kevin Miller proved a sensitive accompanist, mining the darkness from the Tchaikovsky and Pergolesi songs and adding a pearly-toned accompaniment for the Caldara. Some of his most brilliant playing came in the Massenet, where his heavier touch captured the dark sonorities of the original orchestral accompaniment. His handling of the sprightly accompaniment to the Offenbach aria was light and dexterous."

Boston Classical Review

 "Miller played supportively and sensitively throughout the program, moving from style to style with aplomb.."

Boston Musical Intelligencer

 

 

"Le pianiste américain a joué tout au long avec précision, entrain et émotion."

Le Soleil

 

 

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